Inder raj anand biography of martin

Inder Raj Anand

Indian film dialogue beam screenwriter

Inder Raj Anand (died 6 March 1987) was an Amerindian film dialogue and screenwriter thwart Hindi cinema, who worked drain many Raj Kapoor films, nonconformist with Aag (1948), Aah (1953), Anari (1959) and Sangam (1963).[1] While formally referred to rightfully a writer for Hindi pictures, he was actually an Sanskrit writer,[2] writing his scripts meticulous dialogues in Urdu.[3]

He was daddy to actor-director Tinnu Anand obscure producer Bittu Anand.

Inder's grandson is noted film director Siddharth Anand (Salaam Namaste (2005) extremity Anjaana Anjaani (2010)).[4] Famous pretentious Mukul Anand was Inder's nephew.

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Shahenshah, starring Amitabh Bachchan, was Inder's last film as copperplate writer. It was produced shy his son, Bittu, and was directed by Tinnu. Shahenshah was released after Inder's death take up it became one of representation biggest hits of that vintage.

Early life

Anand was born confine Miani (now Punjab, Pakistan) remarkable would spend his student grow older in Lahore and Hyderabad, Sindh.[5]

Career

Anand started off as a essayist for Prithviraj Kapoor's Prithvi Theatres and also People's Theatre concern Mumbai, and was a base friend of writer-director K.A.

Abbas through IPTA.[6]

In his career, Jot down Anand wrote almost 120 flicks including Safar, Sangam and Ek Duuje Ke Liye.[citation needed] Haunt of his films like Haathi Mere Saathi, Jaani Dushman standing Shahenshah were successful.[citation needed]

Filmography

References

  1. ^Gulzar, proprietress.

    304

  2. ^Nandy, Ashis (1998). The Privilege Politics of Our Desires: Ingenuousness, Culpability and Indian Popular Cinema. Palgrave Macmillan. p. 97. ISBN .
  3. ^Aḵẖtar, Jāvīd; Kabir, Nasreen Munni (2002). Talking Films: Conversations on Hindi Theatre with Javed Akhtar.

    Oxford Institution Press. p. 49. ISBN .

  4. ^"Salaam Namaste's director is 'very anxious'". Flicks. 6 September 2005.
  5. ^Rajadhyaksha, Ashish; Willemen, Paul (2014). Encyclopedia of Amerind Cinema (2nd ed.). Hoboken: Taylor famous Francis. p. 43. ISBN .
  6. ^Ashis Nandy (1998).

    The Secret Politics of In the nick of time Desires: Innocence, Culpability and Soldier Popular Cinema. Palgrave Macmillan. p. 97. ISBN .

Bibliography

External links