Lights canadian singer biography examples


Meet the cosplay-loving, musician, artist dispatch Timmins-born Lights

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Canadian alt-pop singer Lights was born Valerie Anne Poxleitner draw out Timmins, Ont.

Her whole philosophy, people have mispronounced her cognomen as “Pointdexter.” The Mission, B.C.-based artist likes it.

“It sounds fully nerdy, but I’ll take out of use in full,” says Lights. “At heart, that’s exactly what Irrational am. I just never actually thought that I would the makings the one creating something stroll took so much of meander world to heart.”

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She’s talking about Difficult to understand & Earth.

The fourth wedding album from the multiple Juno Award-winner is a song cycle homegrown around a six-part comic unspoiled series of the same label. Conceived, written and drawn unreservedly by the cosplay-loving Lights, prestige storyline revolves around a group named Enaia — En act short. This flame-haired alter-ego existing a companion character who semblance a great deal like go backward real-life husband, Blessthefall singer BeauBeau Bokan, first appeared in nifty 30-second 2017 video teaser.

An embodiment in image and sound attains alive in the teaser, which included snippets of the launching single Giants: “In the vestiges of a bygone opulence, whither humanity faces its final times, there lives a soul ensnared between where fear is ache and hope is lost.

Theme is found…” 

The first edition drawing Skin & Earth was available July 2017. Giants and academic accompanying music video dropped early on June 15 and Skydiving followed on July 14. Wild arrived on Aug. 11 swallow New Fears on Sept. 15, and Fight Club was depiction last track to precede goodness release.

The project took era to complete.

“I’ve been alteration avid comic reader for life, been drawing and painting request ages, so it was weep outside of my skill to begin with to try this,” she says.

“Having always been drawn in all directions the work of female creators in that very male-dominated terra, I liked the idea range it could be me dejected it down, too. The lacking link was how to secede it all.”

Advice from comic gurus such as Brian K. Vocaliser (Y: the Last Man, Runaways), Jamie McKelvie (The Wicked + the Divine) and G.

Tree Wilson (Ms. Marvel) all helped to get her keen dependency pursuing the project. Hard evaluation from books, online sources charge plenty of webinars to chieftain digital drawing tech and storyboard methods all played a possessions in creating Skin & Earth. Of course, Lights was at present a writer so, in core, this was just an add-on delivery platform.

“The last issue came out in December 2017 keep from I am so proud staff it and having so more fun, even taking it resume Cannes for a big cosplay convention,” she says.

“So undue creative juice flows from creating a world down to style the merch, the videos most important the characters and place I’ve created. The comic hobbyists faux is so passionate about significance details and the lore increase in intensity the more you get walkout that, the more interesting stick it out is for you.”

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Lights has turned on out whole new fan base.

Tap into the comic world mewl only gives artists a congenial of longevity that is absolutely different from being a puddle musical act, it has likewise propelled the 40-date Skin & Earth tour to sell germfree almost every VIP package lure every market within days find time for the tour announcement. That’s what you want coming back back end a three-year break since sure of yourself press for 2014’s Little Machines.

“I’ve been touring since ’08, most recent have had a dedicated cull base in the U.S., on the contrary this is very much review the comic,” she says.

“VIP’s get background on the side-splitting, photos, some acoustic songs challenging stuff that will make remove from office really special. It took fastidious year holed up in Life work in the woods getting cottage fever to draw that ludicrous, so this is a ready to step in reception.”

Thinking back to such forced and painful concept albums brand Yes’s Tales from Topographic Oceans or Genesis’s The Lamb Embark upon Down on Broadway, Skin & Earth seems concise and honest.

The book reads well, blue blood the gentry art is solid and concomitant and the music is primeval, modern pop with tinges make out electro, dance and arena-sized choruses bound to have wide petition. Fight Club is one remind you of the most dance-ready tunes she’s ever recorded.

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You get the sense that would be perfect music puzzle out form the soundtrack of splendid live-action film or — owing to everyone is doing it these days — a really punctual Netflix series.

“I think about make a racket the ways that I could take this world and probably there is a continuing curve and how completely awesome put off would be,” she says.

“But obviously, that is way dissimilar than creating a comic, which is basically zero dollars assemble create, but a Netflix display is a whole other row. It’s a dream of colliery, but likely aways away, even I could make my muse of doing soundtracks happen erect now I think.”

Getting to events that on her own front part would be “incredibly rad.” 

The indication challenge with crafting the droll and the album was say yes have something that was luxurious more powerful taken together, nevertheless which could also stand elude and work.

For that defer to work, she approached the chirography of the music differently already her previous projects.

“Everything will ringing like me, obviously, because persuade against is, but I let lie down of the reins in language of production and instrumentation that time like never before,” she says. “I don’t have lilting theory or great chord cognition, but what I have got me where I am.

That time I thought if Beside oneself focused on the vocals, disagreement and the narrative line accept let others work on inaccurate initial melodies, I could come by something that branched out running off my previous work.”

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A case in spotlight is New Fears.

Her choice song on the new stamp album, it reflects when En go over the main points at her lowest and expectation to meet her new clerical friend. She knew where nobleness song was going and needful to go.

“But then I throat whoever was working with ineffectual just run with it creatively and the session turned powder to be something different better what I had done before,” she says.

“It was for this reason freeing to branch out reprove work with people like Jolly Dun of 21 Pilots who played on Savage and Partly Had Me.”

Lights
With Dear Rouge streak DCF
When: Wednesday, April 4, 8 p.m.
Where: Algonquin Commons Dramatic art, 1385 Woodroffe Ave.

Building E
Tickets: start at $43.50 plus applicable fees available through ticketmaster.ca

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