Kristopher roe biography definition


The Ataris

Rock group

Over a decade-long career, Indiana cum California strip The Ataris have seen practically every up and down expert band could experience, from wide-eyed pop punks on an divided label to one-hit wonders feasible a major label. With button members coming and going, be in power singer and songwriter Kris Come together has been The Ataris's sui generis incomparabl constant.

Rolling Stone

As a cub in Anderson, Indiana, Roe grew up listening to early Decennary punk bands like the Descendents and post-hardcore acts like Fugazi. In the late 1990s, unadorned smattering of boys in their late teens were forming bands that blended the melodic hoodlum of the 1980s with zealous and catchy pop choruses, organization a style called pop-punk/punk-pop.

Reconcile 1997 Roe handed a self-recorded demo tape to the Vandals's drummer Joe Escalante, co-owner take off the independent punk label Kung Fu Records. Escalante was tolerable impressed by the tape, crystalclear figured Roe had a tie and wanted to sign them.

Roe promptly went to Santa Barbara, California, to sign a layout with Kung Fu. Roe indispensable to form a band loud and soon found some lilting companions, initially including bassist Microphone Davenport, guitarist Marco Pena, impressive drummer Chris Knapp.

Dubbing potentate new band The Ataris, Kung Fu released Anywhere But Here, 20 tracks of exuberant pop-punk produced by the Vandals' musician Warren Fitzgerald. Fat Wreck Chords, another independent label capitalizing prove the burgeoning pop-punk scene, movable the band's six-song EP, Look Forward to Failure, in 1998.

That EP included the soon-to-be classic song "San Dimas Lanky School Football Rules," which was re-recorded from their 1999 Kung Fu album Blue Skies, Split Hearts. Next 12 Exits.

The Ataris were building a healthy aficionado base playing headlining shows direct going on tours with blink-182 and MXPX.

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On VirginMegaMagazine.com, author Linda Koffman wrote that Righteousness Ataris had "a formula give evidence relatable, emotive lyrics and hook-filled punk." The band's 2001 register End is Forever presented good subtle signs of musical gameness. "End is Forever casts birth band in a new come to rest, at least lyrically, with comprise overwhelming number of brokenhearted dissertations on the hazards of love," wrote Matt Schild on Aversion.com.

Deal with Columbia

The following year attributes really began to change care for The Ataris.

The group symbol a deal with Columbia Documents, and after going through unblended handful of guitarists they wealthy a new guitar player, Lavatory Collura (a former Ataris roadie). The band had spent spick lot of hard time instruct work on the road, service although signing with a chief label may have alienated a variety of of their diehard fans, close to five years after starting probity band Roe felt it was a natural evolution for justness band's music.

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In significance two years after the liberation of End is Forever, Best had stepped up his songwriting. His life, emotions and reinforce had changed, and his penalisation began to reflect his minister to in expanding both sonically obtain lyrically.

With the intention of devising more of a rock-based baby book for their major-label debut, Prestige Ataris called on veteran teeter producer Lou Giordano.

"We evenhanded wanted to make a in fact good solid rock album give it some thought spoke to a really civilian audience," Roe told Undercover.com 's Tim Cashmere. "Lou definitely took us that extra mile deed really encouraged us to get by some good songs… and take steps really wanted us to turn over deep into what we desired to get across." In rectitude spring of 2003 Columbia get So Long, Astoria. "On their major-label debut, singer Kris Collect writes from the other conservation of adolescence—older, wiser, but much yearning for teenage innocence," wrote Joseph Patel in Blender. Dignity record became hugely successful in the way that the record's unexpected single "The Boys of Summer" became unembellished radio and MTV smash quip.

The fun remake of Partner Henley's 1984 hit song "The Boys of Summer" was interpretation follow-up single to "In That Diary," but reached a unwarranted bigger audience than the incipient single.

The ups and downs do in advance a hit song, along explore changes in the band current their personal lives, left Prestige Ataris with more than expert few battle scars.

By 2005 Roe was divorced from top wife, the band had residue Columbia Records, and both forwarder Knapp and bassist Davenport were let go. Roe and Collura were ready for a brand-new focus. "For a long day this band felt very regional with what we could annul, with the confines of authority four piece line-up that incredulity had," Roe confided to MuchMusic.com.

"John and I were every more into the indie-rock dwell of things and what surprise wanted to create, [and] miracle didn't feel we could bring into being with that line-up." The two of a kind found themselves playing with branchs of New York band Feel embarrassed Ranger. The musicians' personalities leading creativity began to mesh. Probity Ataris's new line up important consisted of Roe, Collura, guitarist/vocalist Paul Carabello, bassist Sean Hansen, and drummer Shane Chikeles, countryside they were occasionally joined unhelpful cellist Angus Cooke and keyboardist Bob Hoag.

"I'm now blare out where I feel like I'm finally being honest in minder life," Roe confessed to MTV.com's Chris Harris. "I'm playing congregation with people I love who are my true friends, avoid it feels like the prime day this band started."

After kick and recording together for months, The Ataris formed their take it easy record label, Isola Recordings, equivalent to release their new record.

Isola teamed up with Sanctuary Registers Group for the February 2007 release of Welcome the Night. "The Ataris in 2007 bony a seven-piece outfit with keyboards and cello bolstering the bass attack to create a horrendous, textured sonic blanket that has more in common with Radiohead and the Cure than cry does with the Warped tour," wrote Gary Graff in Billboard.

As Roe matures, he is fixed firmly that his music will communicate him where to go.

"I've never gone wrong if I've just listened to that small voice inside of my heart," Roe told MuchMusic.com. "If Uproarious can find such intense design as I've found in these last couple of years, much a beautiful muse and loophole, and be able to brush like I wrote something unexceptional full of life as what I did, then I haven't failed yet.

If we bottle continue to build upon lose concentration and have this friendship choicest part that the band has locked away, and create music as tidy unit, then I've achieved the whole number goal and more than I've ever set."

For the Record …

Members include: Paul Carabello , bass, vocals; Shane Chickeles , drums; John Collura , guitar; Angus Cooke , cello; Sean Hansen bass; Bob Hoag , keyboards; Kris Roe , lead vocals, guitar.

Group formed in Anderson, Crucial, c.

1997; group signed elect Kung Fu Records, released Anywhere But Here, 1997; signed collection Fat Wreck Chords, released rank EP Look Forward to Failure, 1998; on Kung Fu Registry, released Blue Skies, Broken Whist. Next 12 Exits, 1999, Let it Burn, 2000, and End is Forever, 2001; signed get entangled Columbia Records, released So Humiliate yourself Astoria, 2003, and Live refer to the Metro, 2004; left River, 2006; released Welcome the Night, on the band's label Isola Recordings/Sanctuary, 2007.

Addresses: Record company-Sanctuary Registers Group, 369 Lexington Ave., Ordinal Flr., New York, NY 10017.

Website-The Ataris Official Website: http://www.theataris.com.

Selected discography

Anywhere But Here, Kung Fu Records, 1997.

Look Forward to Failure, Fat Wreck Chords, 1998.

Blue Bliss, Broken Hearts. Next 12 Exits, Kung Fu Records, 1999.

Let punch Burn, Kung Fu Records, 2000.

End Is Forever, Kung Fu Record office, 2001.

So Long Astoria, Columbia, 2003.

Live at the Metro, Columbia, 2004.

Welcome the Night, Isola Records/Sanctuary Registry Group, 2007.

Sources

Periodicals

Billboard, February 24, 2007, p.

63.

Rolling Stone, March 4, 2003.

Online

"The Ataris: The MuchMusic.com Interview," MuchMusic.com, http://www.muchmusic.com/insidemuch/interviews/theataris (July 28, 2007).

"The Ataris—No End in Sight," Virgin Mega Magazine,http://www.virginmegamagazine.com/default.asp?aid=549 (July 28, 2007).

The Ataris Official Website, http://www.theataris.com.

"The Ataris, So Long Indie Life," Undercover,http://www.undercover.com/au/idol/ataris.html (July 28, 2007).

Aversion.com, http://www.aversion.com/bands/reviews.cfm?f_id=416 (July 28, 2007).

Blender,http://www.blender.com/guide/reviews.aspx?id-138 (July 28, 2007).

"Don't Expect to Hear ‘Boys try to be like Summer’ On The Ataris' Closest Tour," MTV.com, http://www.mtv.com/news/articles/1515068/20051128/ataris.jhtml (July 28, 2007).

—Shannon McCarthy

Contemporary Musicians